Wildlife filmmaking as a career

 

 

wellies, an essential and glamorous part of any wildlife filmmaker’s kit

There’s no doubt being a wildlife filmmaker is a grand line of work. If you’re fascinated – properly deep down interested – by natural history then this may be the career for you. It’s worth bearing in mind that you also have to be happy to spend hours, days and sometimes months being incredibly uncomfortable, away from friends and family, have trips cancelled at a moments notice and be prepared to while away much of your life in airports with tons of kit or wedged in some sort of flying contraption, smelling properly fruity!

So if you can wheel three trolley’s at once, enjoy being a freelancer, not washing, being bitten, deprived of sleep and no one really knowing where you are one month to the next, you’re on the right track!

A sense of humour is vital

If you’re reading this page, no doubt, you’ll have already worked out that this isn’t the easiest line of work to get into.

I get quite a few emails asking for work experience or offering to assist or shadow, sadly as budgets seem to be growing ever smaller and I never work in the UK it’s unlikely I can help. (I will always respond to emails however as often abroad it may take  a while.) With that in mind…as with most jobs there are many routes in from studying zoology or conservation, film school, as a runner at a production company, a bursary, specialized courses like those run by WildEye or the University of the West of England or like me slowly working your way up and into the industry through much coffee making and basically being willing and able to do the most menial of jobs with a smile at all times.

At the risk of being blindingly obvious I would say that the most important thing is to have a genuine love and interest in nature. After that a large dose of self sufficiency is mandatory as well as the ability to work in a team as you’ll be doing lots of both. The more you have to show in the way of show reels, photos and experience the better – shoot and edit your own material, you’ll learn more about how to tell a story, story is everything. Someone who can wire a plug, Heath Robinson a hide from some gaffer tape and an old towel or get a landrover up and running has a better chance than the person who has watched a few youtube clips or read an entire library of film-making tomes but has never shot a minute of footage. Oh and an understanding of the ever changing world of post production, data management and what’s happening in technology doesn’t go amiss either!

and you get to play with some very nice toys, this the Ammonite thermal camera on location in Chile with Director Susanna Handslip

The International Association of Wildlife Filmmakers is an good place to see whose doing what and where.

as is the Natural History Network where there is a newcomer’s page as well as being an organisation that provides news from the business, features and events about our industry.

WildFilmHistory has a interesting website with pages on ethics and funnily enough, history.

Finally some other cameramen/women have excellent pages with their advice which are well worth reading.